Faika Al Hassan is a Bahraini artist who holds a degree in Economics from the University of Baghdad. She later pursued studies in fine arts and painting in both Bahrain and Lebanon, and has been an active presence in the art scene for over a decade.

In her early work, Al Hassan focused on depictions of women, with the body occupying a central role. Her practice has since evolved into a more reduced visual language, where small human figures inhabit vast, anonymous spaces.

While her work is not overtly political, it occasionally alludes to themes of power and violence. At its core, however, her practice reflects on human insignificance within a broader existential context. The figures that populate her canvases often appear in large numbers—sometimes in groups—yet remain isolated from one another. They move along uncertain paths, suggesting journeys without clear direction. At times, the rectangular boundaries of the canvas evoke a sense of entrapment, as though the figures are confined within a maze.

Atmosphere plays a key role in her work, shifting according to her use of color. Some compositions are dominated by black, white, and greys, punctuated by restrained accents of red, while others feature figures rendered in a wide spectrum of colors, introducing a more vibrant and varied emotional tone.